The Educational Shakespeare Company (ESC) made the first feature film to be conceived and shot with serving prisoners in a high security jail anywhere in the world. Mickey B is a modern adaptation of Shakespeare’s Macbeth set in a prison near Belfast. The film was completed in 2007 but the Northern Ireland Prison Service has not allowed the film to be seen by the public – until now. Michael Bogdanov, an ESC patron, has described the film as ‘stunning Shakespeare forged from the scrapheap of society’. Ken Loach said ‘A strong and imaginatively conceived film ... The actors are remarkable and the Northern Irish voices are very powerful’. Augusto Boal – also a patron of the company – said ‘You have helped prisoners be better citizens transforming themselves and society around them’.
So how did this film ever get made with life sentence prisoners acting all the main roles? The director, Tom Magill, himself an ex-prisoner, has taught drama in prisons in Northern Ireland since the 90s. He says ‘I always thought Macbeth would work behind bars and when I suggested it to the drama/video class at HMP Maghaberry, the men’s enthusiasm knew no bounds’. Sam McClean, doing 20 years for armed robbery, read the play and began work on the adaptation. Davy Conway is a hard man in the jail and was a natural for the part of Mickey B. None of the men had acted before, still less done any Shakespeare, yet as Rob Flannagan (who played Duffer) put it ‘When I phoned home and said I was doing Shakespeare they said “You, doing Shakespeare, no way” and I said ‘Yes, I’m doing Shakespeare and I’m enjoying it and I’m going to stick with it.’ ‘
Casting Lady Macbeth was a knotty problem in a peculiarly male establishment, but Tom suggested creating a ‘bitch’ for Mickey B, a transvestite called Ladyboy. Believe it or not there was competition for the part, and Jason Thompson proved himself well up for the job as well as contributing to the script. The development period for the film took the best part of a year with half a dozen script rewrites and there was a constant battle with the prison authorities to keep the project on track. Simon Wood trained the men in production techniques and got them to film workshops, discussions and interviews for a ‘making of’ documentary. Jennifer Muradaz Marquis was brought on board to produce the film and the £50,000 budget was raised from the Lloyds TSB Foundation, the Gulbenkian Foundation, the Prison Arts Foundation and the Prison Service itself. We tried to get local TV to finance a documentary about the project but we had no luck.
Given that no-one working on the film had any experience with feature films, we decided to bring in Angus Mitchell as cinematographer whose camera department CV includes Saving Private Ryan, Puckoon and Endgame. The sets were constructed in the prison wood workshop. The majority of production took place in a disused textile workshop. Apart from director, producer, cinematographer and assistant, sound recordist and makeup artist, all the technical roles were carried out by prisoners. It took 5 weeks to shoot Mickey B and nearly as long for the men to adapt to the 10 hour days that were necessary. This was a major change to the normal prison regime where inmates get out of their cells for 3 hours in the morning and 2 in the afternoon if they’re lucky. If the adjustment was difficult for the prisoners, it was almost impossible for the staff. John Davies, the senior prison officer with responsibility for accommodating the production, was unimpressed with the men involved. ‘They’ve never shown any commitment in the past and I wouldn’t have picked them’ he said. Many of the men involved in Mickey B were regarded as non-conforming, refusing to work the system. But afterwards John admitted ‘I have to eat my words, they proved me wrong. They’ve made something really worthwhile.’
Macbeth is a violent play and Mickey B doesn’t pull its punches. The ethics of having violent criminals act out a bloodthirsty story were questioned by almost everyone. The men themselves were eloquent on the issue. ‘There is no real violence in the film, it’s just acting’, says Davy. Barry who played Piper said ‘We’re not just doing the people doing the violence, we’re acting the victims as well.’ ‘The story of Mickey B shows that if you use violence to get what you want, then it comes back at you’ argues Sam. Tom believes that ‘Their involvement in fictional violence gives convicted men the opportunity to question their own violence in a way which is usually impossible in the prison environment.’ The relationship between Mickey B and his partner, Ladyboy, is often expressed with a tenderness on film that no-one would dare express in the reality of a high security prison.
Macbeth’s witches become bookies in Mickey B, offering odds on likely outcomes in the power struggle that’s ripping the jail apart. Liam was also the boom swinger, Pat did continuity and Billy helped out with the make-up. Actually Billy is now married to the make-up artist even though he has years to serve, but that’s another story.
Sam was released before the film went into production so he had to be readmitted to the prison on the days he acted Duncan. Jason was due to be released so we brought production forward by 2 months to guarantee his participation. Throughout the production of the film none of the prisoners involved was charged with any disciplinary offence – previously unimaginable as one or other of them was always in the punishment block. The lights got switched on or off to some insane timetable, the dog kennels were right next to the set, noisy fans revved up and faded away in a totally unpredictable sequence, we were accused of allowing the men to mount a takeover of the prison, Jennifer spent endless hours smoothing ruffled feathers.
When it was all over the participants had a new found confidence. Many began studying in the prison education department which they had previously rejected, feeling they had been failed by the system ever since school. They began to plan for an alternative future. Anto Hagans who played Satan now produces volumes of art work which is much in demand. Rob received a learner of the year award last year. Sam has a job, a car and a determination to stay out of prison for the rest of his life. This isn’t necessarily all as a direct consequence from participation in Mickey B, but it helped. It costs the unbelievable figure of £93,000 to keep a prisoner in HMP Maghaberry for one year. If Mickey B has helped only one man turn a corner and head in a direction that doesn’t lead back to prison, then the project has paid for itself and helped make the world a safer place for us all. As John Davies puts it ‘If there’s one less victim because of this film, then it was worth it.’
What matters to the participants is that the film is of professional quality. Dean Hagan’s post production allowed Mickey B to metamorphose into a genuine feature film with a distinctive ‘look’ and a memorable score. DVD copies of the film have been permitted to be screened in the jail and every participant’s family received a copy. The prison authorities took fright when the film was completed in case the tabloids and shock jocks pilloried them for allowing it to have been made. They refused to sign the location agreement until we agreed to delay distribution of the film in the UK and Ireland for three years from the beginning of principal photography.
The 3 years are up, you can buy Mickey B (see http://www.esc-film.com/buy.asp) and we need you to help us get a distribution deal to bring this unique work to a wider audience. View the trailer, pass the link on to your friends, encourage them to do the same (see http://www.esc-film.com/mickeybreleased.asp). If Mickey B gets the recognition it deserves then maybe we can make the follow up - a modern version of The Tempest, this time with ex-prisoners as they’d never let us get away with doing it inside a second time.
Labels: Macbeth, prison, prisoners, Shakespeare, violence